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Wednesday, October 26, 2011

Asian Art Museum Begins Bold New Direction with "Maharaja: The Splendor of India's Royal Courts" - San Francisco Art - The Exhibitionist

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​Last year, the Asian Art Museum of San Francisco was in a dire situation. Faced with the possibility of bankruptcy, the museum curators decided it was time to move toward a bigger, bolder direction. The museum's newest exhibition, "Maharaja: The Splendor of India's Royal Courts," does just that as it showcases the ever-changing but always opulent lifestyle of the powerful rulers of India.

The exhibit, which opened Friday, is split into three sections and features a wide and diverse collection of paintings, royal portraits, weaponry, jewelry, and furniture from different eras of the maharajas, which is Sanskrit for "great kings."

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​The first gallery of the exhibit focuses on the royal duties and decorum of maharajas. Maharajas were expected to have more refined tastes, a protocol that comes with surprise, considering the lavishness of the royal lifestyle: The exhibit is filled with intricately decorated robes and tapestries, luxurious jewelry and furnishings, and elaborate scenes of maharajas in royal processions that suggest otherwise. But behind their peacock-like display of opulence, maharajas were more than just grand public figures. Maharajas were also expected to be pious, to rule judiciously and generously, and to be skilled hunters and warriors.

In addition to displaying the wealth of the royal courts, the exhibit walks visitors through a historical journey of mahajaras and the political changes of India. The final portion of the exhibition begins with the fall of the Mughal Empire in the 1700s and moves on to show the influence of the British rule in the early 20th century. Here, we see the shift to Western influence: Maharajas dressed like English gentlemen, donned European accessories (Cartier being a major supplier to Indian rulers in the '20s), posed with English-language books in royal portraits, and also opted for the increasingly popular European convention of realism for portraiture.

Big and bold go hand in hand with "Maharaja," but the museum's new artistic direction is also seen beyond the rich artifacts of the exhibit itself. The museum commissioned Pixar animator Sanjay Patel to create vibrant, Disney-inspired Pop Art pieces as an homage to the show. Patel's work can be viewed on the museum exterior and will also be displayed in an show in November.

"Maharaja: The Splendor of India's Royal Courts" continues through April 2012 at theAsian Art Museum, 200 Larkin St., S.F. General admission is $17.

15th Century Xuande Dragon Charger Brings $241, 500 to Lead 888 Auctions’ Chinese Ceramics & ... - Artwire Press Release from ArtfixDaily.com

Lot 502: 15th Century Chinese Ming Xuande MP Blue & White Reverse Dragon Charger realized $241, 500

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Lot 502: 15th Century Chinese Ming Xuande MP Blue & White Reverse Dragon Charger realized $241, 500
Lot 500: Rare Song Dynasty Guanyao celadon tripod dish covered with a pale grey glaze suffused with crackle realized a hammer price of $10, 890.

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Lot 500: Rare Song Dynasty Guanyao celadon tripod dish covered with a pale grey glaze suffused with crackle realized a hammer price of $10, 890.
Lot 614: Vintage Moutai Chinese grain wine (Circa 1970) realized $5, 445.

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Lot 614: Vintage Moutai Chinese grain wine (Circa 1970) realized $5, 445.

Richmond Hill, Ont - Anchored by an excellent group of fine Chinese ceramics, meticulously casted bronze ware, and a superb collection of finely carved jade and Shoushan stone items, 888 Auctions' concluded its evening auction Chinese Ceramics and Asian Works of Art with a total of $619, 707.

The demand for Asian art seemed unhindered by the hard global economic downturn as the action on the floor, over the phone, and on the internet churned out bids at a fast and furious pace far into the night.

Led by lot 502, the 15th Century Xuande Period blue and white charger featuring a central dragon in reverse design and surrounded on the cavetto with a continuous band of lotus blooms borne on an undulating, achieved an astounding $241, 500.

In addition, great attention among the important group of Chinese ceramics was fixed on lot 500, a rare Song Dynasty Guanyao celadon tripod dish. Seemingly unremarkable and covered with a pale grey glaze suffused with crackle, the small dish crafted from the imperial kilns of the Song Dynasty realized a hammer price of $10, 890.

The evening sale featured a remarkably strong collection of finely carved jade. Led by lot 188, the 19th Century hu-shaped vase exceeded its high estimate of $16, 000 realizing $26, 520. Other jade carvings that managed to exceed its estimate high included lot 201, a charming white Hetian jade model of a fish; and lot 174, a pair of white Hetian jade belt buckles. The jade pieces sold for $1, 936 and $1, 694 respectively.

Bronze ware also had a strong showing in the evening. Headed by lot 284, the 15th Century Imperial Ming cloisonné censer achieved a remarkable $7, 670 despite the fact that it was missing its sister censer.

An 888 auction would not be complete without a collection of superbly carved rhinoceros horn items. After some furious bidding action, with the fall of the hammer, lot 601 realized $6, 630, six times its high estimate. Another item of note, lot 250, a wonderfully hollowed and bronze lined rhinoceros horn snuff bottle sold for $4, 130.

Incredibly enough, in spite of the excellent display of Chinese ceramics and Asian Works of Art, Moutai was the star of the collection of lots on display. With the auction house floor filled to capacity, it was no secret that many, if not all, had come to see the vintage bottles of Moutai on display. The unique bottles of grain wine would not disappoint as lot 605, a vintage Moutai Chinese grain wine (c. 1980) realized $2, 420. Several lots later, a sealed vintage Moutai (c. 1970) realized $5, 445 at lot 614.

Whether it be important Chinese ceramics, charmingly small and intricately crafted jade and shoushan stone carvings, or vintage Chinese Moutai that have been reaching six-digit hammer prices on the Chinese mainland, bidders eagerly await the next collection of fine Asian Art from 888 Auctions.

Featuring imperial jade carvings in its next auction, 888 Auctions is proud to announce its future auction, Fine Imperial Jade and Asian Works of Art, taking place on Thursday, November 24th, 2011. Preview in Richmond Hill begins Monday, Nov. 21st - 24h. For consignment inquiries or additional information, please contact 888 Auctions at 905.763.7201 or by email at info@888auctions.com.

Asia Tour Company Explores Sacred Himalayan Kingdoms, Wildlife in India and Sri Lanka

Asia Tour Company Explores Sacred Himalayan Kingdoms, Wildlife in India and Sri Lanka

Three New Asia Tours Offer Exotic Winter Getaways by Asia Transpacific Journeys

BOULDER, CO--(Marketwire - Oct 26, 2011) - Asia Transpacific Journeys (www.AsiaTranspacific.com), the U.S.'s leading tour company for travel to Asia and the Pacific, has introduced three new tour packages which offer travelers unprecedented access to sacred sites and centuries-old rituals, face-to-face meetings with formerly endangered wildlife and Asia's secret island hotspot.

India: A Jungle Book Journey

India is famous for its dazzling cultural treasures. What is less well-known of the subcontinent is that it is home to some of Asia's greatest wildlife. This extraordinary, 17-day journey departs December 3, 2011 and March 3, 2012. It features naturalist-guided travel by foot, elephant back and 4WD to three of India's most important preserves; havens for the once nearly extinct, magnificent Bengal tiger as well as species as varied as one-horned Indian rhino, clouded leopard, wild Indian elephant, jackal, fox, bison and myriad bird species. Additional features ofIndia travel itinerary include:

  • Gorgeous eco-lodges and upscale hotels
  • Excellent chance of a wild tiger sighting
  • Elephant-back rhino safari
  • Access to remote areas of national parks
  • Special meetings and discussions with conservationists
  • Rickshaw ride through Old Delhi
  • Magnificent fortresses, mosques and UNESCO sites
  • Witness cultural performance within temple grounds

Sri Lanka: A Journey with the World Wildlife Fund

In its new adventure to Sri Lanka, Asia Transpacific Journeys teams up with the World Wildlife Fund to offer a wildlife tour to Sri Lanka, a seldom-explored spot that is considered one of South Asia's best-kept wildlife secrets.

Few destinations as geographically small as this island nation offer so many cultural treasures and such great wildlife biodiversity. Sri Lanka is considered a "super hotspot" for endemism and contains many unique plants, birds, reptiles and mammals. In fact, new species are still being discovered here. With a focus on the central and southern highlands, this March 2012 journey takes you to several national parks, and onto the calm seas off the southern coast.

This 14-day itinerary with departures beginning March 10, 2012 features the following components for a well-crafted wildlife tour of Sri Lanka:

  • Explorations of four national parks, including an in-depth visit to Yala National Park to search for the elusive leopard.
  • Several opportunities to see wild elephants.
  • Whale-watching expeditions to look for blue and sperm whales, which congregate in high concentrations along the Sri Lankan coast at this time of year.
  • Visits to important cultural spots, including the Rock Fortress at Sigiriya and the ancient city of Polonnaruwa.

Sacred Mountain Kingdoms: Tibet, Nepal and Bhutan

The mountain kingdoms of Tibet, Nepal and Bhutan, thousands of feet above sea-level, hidden amidst the world's highest peaks, stand literally and figuratively above the rest. A trip highlighting three UNESCO world heritage sites is ideal for those seeking adventure and spiritual perspective.

Departures for this 20-day excursion begin April 5, 2012 and travelers will enjoy an itinerary that includes:

  • Tour leadership by an expert on Asian culture.
  • Meet monks in remote monasteries.
  • Sacred lake amid spectacular Himalayan vistas.
  • Drive along the Friendship Highway, border crossing from Tibet to Nepal.
  • Witness Hindu ablution ceremony at sacred river.
  • Medieval towns housing preserved temples.
  • Visit fertility temple where hopeful couples make offerings.

About Asia Transpacific Journeys

Since 1987, Asia Transpacific Journeys a Boulder, Colorado-based Asia travel company, has specialized in custom journeys and small-group trips to Asia and the South Pacific. A highly-astute staff committed to exceptional service and deeply insightful cultural interpretation based on first-person experience is part of what has made Asia Transpacific Journeys a Travel + Leisure 2011 "World's Best Tour Operator." The company has twice been honored with Travel + Leisure's "Global Vision Award" and is the Asia tour operator of choice for the American Museum of Natural History, The Harvard and Yale alumni associations, and the World Wildlife Fund.

Parts of 13th century Mongolian invasion ship found near Nagasaki - The Mainichi Daily News

Parts of 13th century Mongolian invasion ship found near Nagasaki

University of the Ryukyus professor Yoshifumi Ikeda shows parts of a 13th century Mongolian vessel during a press conference at the prefectural government office in Nagasaki on Oct. 24. (Mainichi)
University of the Ryukyus professor Yoshifumi Ikeda shows parts of a 13th century Mongolian vessel during a press conference at the prefectural government office in Nagasaki on Oct. 24. (Mainichi)

NAGASAKI -- Large parts of a Mongolian ship thought to have been part of a 13th century invasion fleet have been found on the seabed near Nagasaki, a research team announced at a press conference here on Oct. 24.

The ship parts, buried in mud approximately 20 to 25 meters beneath the surface near Matsuura, Nagasaki Prefecture, were discovered by the research team headed by Yoshifumi Ikeda, professor of archaeology at Okinawa Prefecture's University of the Ryukyus. The team is dedicated to investigating relics related to the two Mongolian invasions of Japan, both of which failed.

The team found an approximately 12-meter-long section of keel with the planks of its flanks, each around one to six meters long, still attached. According to Ikeda, the whole vessel was at least 20 meters long.

Although about 4,000 items related to the ship -- including the ship's anchor and other smaller artifacts -- have been found previously, this is the first time in archaeological history to locate such a large, well preserved section of invasion ship, and it could help researchers identify specific characteristics of the entire vessel.

The discovered parts were surrounded by Chinese pottery and other items identified as coming from the Southern Song Dynasty (1127-1279). Based on the artifacts, Ikeda's team judged the ship to be a Mongolian vessel which sank during the second Mongolian invasion of 1281.

"This discovery was of major importance for our research. We are planning to expand search efforts and find further information that can help us restore the whole ship," Ikeda commented during the press conference.

Researchers suggest that the historical discovery may lead to an understanding of the "kamikaze" (divine wind) story, in which strong winds saved Japan from the second invasion by destroying the Mongolian fleet of some 4,400 vessels off the coast of Takashima in Matsuura.

Meanwhile, Matsuura city officials are hoping that the discovery may turn the area into a tourist hot spot and attract visitors from all over the world.

Chinese works of art from an important European collection to be offered at Christie's Hong Kong

A Finely Carved Ivory Brushpot, bitong Qing dynasty, 18th century. Estimate: HK$500,000-700,000 / US$65,000-91,000. Photo: Christie's Images Ltd 2011.

HONG KONG.- Christie’s presents an important single-owner collection of exceptional Chinese works of art from a renowned European connoisseur. This outstanding collection of fifteen rare works in jade, ivory and rhinoceros horn was put together over the past 50 years with a focus on the very finest examples of superbly carved scholarly objects.

To be offered on 30 November in Hong Kong, Exceptional Chinese Works of Art from an Important European Collection demonstrates the collector‟s appreciation of the decorative themes that have traditionally appealed to the Chinese literati, particularly those of the 18th century. This is the second of a series of sales from the collection, following on from the hugely successful auction of superb jade carvings in New York on the 15th September. A third auction is scheduled to be held in London in Spring 2012.

From a combination of Chinese history and legend comes the subject of the beautifully carved rhinoceros horn cup that leads the collection. This extremely rare rhinoceros horn „log raft‟ cup, Kangxi period (1662-1722) (Lot 2913, estimate: HK$10,000,000-15,000,000/US$1,300,000-1,900,000) depicts a superbly carved scholar seated in the stern. The subject of this magnificent carving was inspired by a legend involving the Han dynasty envoy and indefatigable traveller Zhang Qian who through his missions and travels is often credited as initiating the establishment of the famous Silk Road.

Also of note is a superb rhinoceros „dragon‟ horn libation cup, Qing dynasty, early 18th century, that is part of a rare group of rhinoceros horn carvings depicting dragons in a naturalistic manner as opposed to the more standard archaistic variety (Lot 2907, HK$5,000,000-7,000,000/US$645,000-900,000). In China, the dragon is a beneficent animal, and indeed, the five-clawed dragon with horns is the symbol of the Emperor. In addition, the dragon was believed to be the bringer of rain, rising from the winter hibernation among the waves at the spring Equinox to bring the rain necessary to water the crops. On this cup the dragons are shown rising from the waves which surge around the base of the cup, and flying up into the clouds, through which the carver has skilfully shown them disappearing and emerging with a powerful feeling of movement.

Of striking resonance for a scholar-official is the superbly carved 18th century white jade vase depicting a creature that is part dragon and part fish (Lot 2903, HK$2,000,000-3,000,000/US$260,000-390,000). This is a very popular subject in the Chinese decorative arts, since this creature is often seen as representing the scholar who is successful in his civil service examinations, allowing him to obtain a good official position. Legend says that the carp swims upstream every Spring to the Dragon Gate on the Yellow River, which it leaps and in doing so is transformed into a dragon – like the scholar who strives to pass his examinations and having passed them becomes an official. This dragon-headed fish is also known as a makara, which Buddhist legend says was a whale that saved hundreds of men from drowning at sea and then sacrificed itself to feed them. Because it so eloquently demonstrated the two important Buddhist virtues of compassion and sacrifice, the whale was made immortal and became a makara with the head of a dragon and the body of a whale, and with wings and a pearl at its side.

Leading the selection of rare ivory carvings is a very finely-carved stained ivory ruyi sceptre from the Qing dynasty, 18th century (Lot 2901, estimate: HK$2,000,000-3,000,000/US$260,000-390,000). Ivory ruyi sceptres are very rarely seen on the market today, which is surprising given the predilection for both ivory carvings and ruyi sceptres in the 18th century Imperial court. This exceptional example is decorated with intricate and naturalistic depictions of auspicious plants including fruit, including peaches, flowers, including narcissi, and, the legendary fungus of immortality - lingzhi.

Additional Select Highlights
*An Extremely Rare Rhinoceros Horn “Archaistic Vase” Libation Cup Qing dynasty, 18th century Estimate: HK$2,000,000-3,000,000 / US$260,000-390,000.

This is a very unusual form combining an archaistic bronze base with a naturalistic depiction of flowers, only very few similar examples are known. Here, auspicious flowers depicted on the sides of the vase represent the four seasons. When combined with the vase forming the base, it forms the rebus “siji pingan” – “May you have peace throughout the four seasons.”

*A Large and Finely Carved White Jade Finger Citron, foshou Qing dynasty, 18th century Estimate: HK$2,000,000-3,000,000 / US$260,000-390,000.

This magnificent white jade Buddha-hand citron is not only a superb example of carving an exceptionally large piece of white jade, but also carries an auspicious message. Buddha-hand citrons were popular fruit to be placed on an altar during the New Year celebrations, and their fragrance was used to perfume rooms, even in the Imperial Palace itself. However, it is the Chinese name of the fruit that makes it especially popular, since it provides a rebus for blessings, riches, and long life.

*A Finely Carved Ivory Brushpot, bitong Qing dynasty, 18th century Estimate: HK$500,000-700,000 / US$65,000-91,000.

This well-carved ivory brushpot depicts an activity that was greatly enjoyed by China’s elite, including those at court - boating amongst blossoming lotus. Lotuses have long been admired by Chinese literary men and have appeared in both paintings and poetry for centuries. This scene portrays what is likely a court lotus-picking party, with the Emperor overlooking the scene on the edge of the pond.

A slice of Goa in Qatar | Demotix.com

Goan tailors provide a service to the small ex-pat Goan community and also for some Arabs, mainly Egyptians. The shops used to be a meeting place for Goans but less so these days with the advent of modern communications. Doha. 18th October 2011.

French art works on display at National Museum of S'pore - Channel NewsAsia

SINGAPORE: Over 140 renowned art works from the Musee d'Orsay museum in Paris are on display at the National Museum of Singapore.

The exhibition showcases mid-19th century and early 20th century French art.

The pieces include impressionist and post-impressionist works from well-known painters like Claude Monet and Gustave Courbet.

Other highlights also include Vincent van Gogh's Starry Night.

The art pieces are in Singapore due to renovation works at the Musee d'Orsay.

The National Museum of Singapore said it's hoped that the exhibition will enhance cultural ties between Singapore and France.

Ms Lee Chor Lin, director of the National Museum of Singapore, said: "Bringing these important works to Singapore involved working very closely with our French partners in the areas of curation and logistics... Through this partnership with the Musee d'Orsay, we hope to enhance the cultural ties between our two countries."

Why Georges Braque, Picasso’s Contemplative Counterpart, Is Finally Getting His Due | The New Republic

Georges Braque’s Studio IX, as ravishingly enigmatic a vision as has ever been committed to canvas, is at the Acquavella Galleries in New York until the end of November. It is among more than three dozen works in a remarkable salute to this man who revolutionized art in the years leading up to World War I, and by the time of his death, in 1963, found himself among the supreme poets of Western painting, right up there with Giorgione and Corot. Painted over a period of five years in the 1950s,Studio IX is the climax of a cycle of compositions in which the ordinary objects of the artist’s work space—paints, brushes, palettes, easels, canvases—become the stuff of alchemy and allegory. The quotidian is undone. Braque moves from fact to philosophy. The world simultaneously dissolves and resolves. Gray paint becomes the supplest of substances, suggesting pewter, silver, lead, slate, granite, platinum, and crystal. Platonic shades give way, if not quite to Platonic essences, than at least to intimations of the ideal.

No modern artist was more of a dreamer than Braque. This helps to explain why in New York, the city that never sleeps, his reputation has always been somewhat ambiguous. Braque can strike museumgoers and gallerygoers as marginal, if not irrelevant, at least when compared with Picasso, his partner in the invention of Cubism, and an artist whose work is rarely out of the public eye. There is a Picasso exhibition up in New York right now, a magnificent show of drawings from the early decades of his career at the Frick Collection, but then hardly a season goes by in New York when Picasso is not in the news. Picasso’s restlessness, so richly reflected in his moves from style to style at the Frick, matches the restlessness of New York; his work can seem to change as quickly as opinions shift in the metropolis. Picasso, as Octavio Paz once wrote, “is what is going to happen and what is happening, he is posterity and archaic time, the distant ancestor and our next-door neighbor. Speed permits him to be two places at once, to belong to all the centuries without letting go of the here and now.” Picasso’s greatness has everything to do with his ceaseless craving for relevance; he makes everything relevant, whether his fascination with Archaic Greece or his infatuation with the woman he met a few weeks earlier. Braque’s greatness is of an entirely different variety. He argues for the relevance of irrelevance, for the importance of the meditative, the inward, the ineffable. Picasso’s essential subject is the woman who currently shares his bed. Braque’s essential subject is the ordinary objects he has known practically forever. Picasso celebrates animation. Braque celebrates contemplation.

Braque and Picasso—who were like mountain climbers, so Braque later recalled, bound together in the development of Cubism—represent divergent attitudes toward modernity. Picasso is the athlete in the stadium. Braque is the poet in the tower. Although there are many painters in New York who care much more for Braque than Picasso, nobody can wonder why the city’s curators, critics, and collectors have more often than not embraced the mercurial Spaniard. But right now, at the Acquavella Galleries, Braque is having a moment. Perhaps there is a paradox here. Can an artist with a taste for the timeless ever strike us as timely? Braque, at least so I imagine, would find the question absurd. For him, the avant-gardist is not ahead of his time so much as he is outside of his time. With Studio IX, Braque invites us into the poet’s tower, where the gray light, penetrating without being especially strong, illuminates a palette, a jar, an easel, a bird’s wings. Studio IX is heraldic, emblematic, inscrutable. Braque’s great subject is the insatiable imagination. He invites us to feast with him.

Strangers Sleep Together for $108 at Rubin Museum ‘Dream-Over’ - Bloomberg

A sought-after seat Saturday night was on the floor of New York’sRubin Museum of Art, where some 80 of us gathered with sleeping bags and air mattresses for the 13-hour, sold-out “Dream-over.”

For $108 each, prospective dreamers were assigned an artwork, which we pondered from a few feet away while sitting and, theoretically, sleeping. (The seven-year-old Rubin is dedicated to art of the Himalayas.)

The next morning we discussed our dreams with each other and with psychology and psychoanalysis graduate students (“Dream Gatherers”).

It was the Rubin’s second sleep-over for adults and involved Freud, Buddha, event marketing and snoring. Some highlights:

8 p.m. A staff member stores our shoes in the coat check. Participants have been instructed to bring pajamas, a robe, slippers and something soft to sleep on. Tables near the entrance are organized by the five floors to which we’re assigned. Sweats, yoga outfits and other loose fitting clothes are the norm.

8:10 p.m. Ray Warman, a corporate lawyer and poet, is headed to the fifth floor, as I am.

“I’m a good dreamer and I love the Rubin,” he says, seated on a chair in a lotus position. “I have pages upon pages of all the dreams that have been significant to me. You can’t force a dream and you can’t deny it.”

8:15 p.m. One-by-one we’re led upstairs. Cindy Sibilsky, a Rubin docent who’s a dancer and theater presenter developing “Pinocchio: A Fantasy of Pleasures” for off-Broadway, finds my spot next to an artwork, “Self-Ordination and Practice of Austerities.”

The pigment on cloth is from the 18th century and depicts the “renunciation by the prince who will become the Buddha,” with flowing robes of red and orange, and bothersome boys interrupting his meditation.

“This is like coming to church,” Sibilsky says. “If I can provide delightful inspiration, it’s meaningful to me.”

8:50 p.m. Melissa Faulner, who works in licensing for a publisher, does a yoga tree pose in front of her assigned artwork.

“I slept in a museum once, the Orlando Science Center, when I was a Girl Scout,” she says. “It’s fun to do something that feels off-limits. I hope I don’t have a sex dream and have to talk to someone about it.”

9:21 p.m. Participants gather in a basement theater for a talk and meditation session led by Lama Lhanang Rinpoche. The lama, born in Tibet and living in San Diego, discusses “dream yoga” and “sleeping meditation.”

A woman in the audience complains that she can’t choose her dreams as she did as a child.

“The child has a very pure mind,” the lama responds. “They remember past lives.”

10:20 p.m. In a discussion among the 18 fifth-floor campers, Warman recalls a dream he had in November, 1996. He was flying in a helicopter over a lake, seeing people holding placards that read “Welcome Home.” A married father of two at the time, he says he realized days later that he was gay.

10:25 p.m. Matthew von Unwerth calls dreams, “a work of literature by, for, and about you.” He’s a therapist training at New York’s Institute for Psychoanalytic Training and Research.

10:51 p.m. Crackers, strawberries and grapes are on offer in the cafe.

“I’m really hoping that my dream doesn’t involve work,” says Alicia Glavin, a hospital administrator.

11:40 p.m. On the fifth floor, featuring the exhibit “Once Upon Many Times: Legends and Myths in Himalayan Art,” Dawn Eshelman, the Rubin’s programming manager, distributes ear plugs.

11:45 p.m. Sibilsky sits on the floor and tells me a bedtime story she adapted, about the Buddha’s previous life as a rabbit.

12:01 a.m. Lights out, only to go back up, because the docents haven’t finished telling their stories.

12:45 a.m. Snoring on all floors. Also, constant beeps from an elevator. I insert earplugs.

4:15 a.m. As the temperature seems to dip below 50 degrees, I wake up and can’t get back to sleep. That’s a problem because I can’t remember any dream. What will I say when the dream gatherer comes around in two hours?

6 a.m. Adi Avivi approaches my air mattress expectantly. I have zip, and resist the urge to share my daydream as I lie awake half that night: that I was in a warm, quiet private room.

6:33 a.m. A husky 56-year-old man named Alan says he dreamt of an image of himself as a baby, wrapped in a yellow jacket, with his parents.

“The dream wasn’t part of a narrative, which is weird, because we’re on a narrative floor.”

6:44 a.m. Faulner says she didn’t have a dream she can remember, but the lama’s talk affected her. “Normally I’m a huge worrier,” she says. “When I was awake I was calm.”

8:05 a.m. After breakfast, which includes tsampa -- Himalayan hot cereal -- Warman says that he had felt different times in his life converge.

“There was this wonderful sense of community from all the dreamers here.”

8:20 a.m. Tim McHenry, the Rubin’s programming producer, thanks the dreamers for attending.

“Please tell your friends,” he says. “We do want to be a little better known.”

8:33 a.m. The therapist, von Unwerth, asks the fifth-floor campers how many remembered their overnight dreams. Two-thirds raise their hands.

8:43 a.m. Glavin, the hospital administrator, says she dreamt she witnessed her childhood home in flames.

“It was like fireworks,” she says. “It was a good dream. I never had that dream before.”

Rubin Museum of Art, at 150 W. 17th St. Information: +1-212-620-5000;http://www.rmanyc.org/

To contact the reporter of this story: Philip Boroff in New York at pboroff@bloomberg.net;

To contact the editor responsible for this story: Manuela Hoelterhoff atmhoelterhoff@bloomberg.net.